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Based on two works by the playwright Jean Anouilh, YOU AIN'T SEEN NOTHIN' YET opens with a who's-who of French acting royalty being summoned to the reading of a late playwright's last will and testament. There, the playwright (Denis Podalydès) appears on a TV screen from beyond the grave and asks his erstwhile collaborators to evaluate a recording of an experimental theater company performing his Eurydice-a play they themselves all appeared in over the years. But as the video unspools, instead of watching passively, these seasoned thespians begin acting out the text alongside their youthful avatars, looking back into the past rather like mythic Orpheus himself. (c) Kino


Release Date You Ain't Seen Nothin' Yet! Jun 7, 2013 Limited
Genres You Ain't Seen Nothin' Yet! : Art House & International,Drama
You

Story Line For You Ain't Seen Nothin' Yet!


Actors For You Ain't Seen Nothin' Yet!

Sabine Azéma,Pierre Arditi,Anne Consigny,Lambert Wilson,Mathieu Amalric,Jean-Noël Brouté,Michel Piccoli,Andrzej Seweryn,Anny Duperey,Denis Podalydès,Gérard Lartigau,Hippolyte Girardot,Michel Robin,Michel Vuillermoz

Genres You Ain't Seen Nothin' Yet! : Art House & International,Drama

Total Vote User You Ain't Seen Nothin' Yet! : Visitor
User Ranting You Ain't Seen Nothin' Yet! :
User Percentage For You Ain't Seen Nothin' Yet! : %
User Count Like for You Ain't Seen Nothin' Yet! : 149
All Critics Ranting For You Ain't Seen Nothin' Yet! : 6.6
All Critics Count For You Ain't Seen Nothin' Yet! : 19
All Critics Percentage For You Ain't Seen Nothin' Yet! : 79 %

Review For You Ain't Seen Nothin' Yet!

What elevates the film is a pervasive, palpable sense of loss-between lover and beloved, young and old, stage and screen.
Eric Hynes-Time Out New York

The title isn't meant to be taken as ironic: This is the work of a director very much capable of surprise.
Calum Marsh-Village Voice

It's, like, totally, like, "meta." Metaphorical, metaphysical. It's also pretty amusing.
Lisa Nesselson-Chicago Sun-Times

Alain Resnais reflects on some lifelong themes, and though this drama is characteristically eerie, it also conveys a calm that's rare in his work.
Ben Sachs-Chicago Reader

Digital technology meets lyrical drama and classical myth in this puckishly daring, intricately original work of docu-theatre from the ninety-year-old director Alain Resnais.
Richard Brody-New Yorker

Though Resnais' gamble seems to have failed, it's encouraging to see a director on the brink of 90 still willing to experiment in a way most helmers half his age wouldn't dare.
Peter Debruge-Variety

The prodigious talent on display is in itself a treat. The vision becomes added pleasure for those willing to enter into the spirit of exquisite pain and happiness alike.
Donald J. Levit-ReelTalk Movie Reviews

Equally inspired by comics and experimental fiction, Resnais makes movies that don't so much break filmmaking conventions as circumvent them; at 91 years old, he remains one of the world's most unpredictable filmmakers, and one of its most idiosyncratic.
Ignatiy Vishnevetsky-AV Club

Repetitive and stodgy performance by older veterans of a fictitious director.
Harvey S. Karten-Compuserve

While the meta-theatrical staging is artful and impeccable and the performances (pulled from a cast of actors Resnais has used over several decades) are superb, it's not the easiest film to sit through.
Stan Hall-Oregonian

The film works best when it focuses viewer attention most acutely on the story, deflecting it away from the director's manipulations.
Andrew Schenker-Slant Magazine

Inventive New Wave director Resnais, now 90, continues to explore issues of memory, time, theater, and history in this aestheticaly rigorous feature, reuniting some of his most reliable actors.
Emanuel Levy-EmanuelLevy.Com

Not since Altman went out with A Prairie Home Companion has a director fashioned such a natural swan song.
Mike D'Angelo-AV Club

A film of bristling intelligence that will delight lovers of cerebral upmarket cinema.
Jonathan Romney-Screen International

The film is more than the play. Most of all, it gifts us with its actors, the most memorable of whom are Mathieu Amalric and Michel Piccoli.
Amy Taubin-Sight and Sound

My word, does it feel like an unholy slog.
Robbie Collin-Daily Telegraph

Despite its moments of charm and caprice, the film is prolix, inert, indulgent and often just plain dull.
Peter Bradshaw-Guardian [UK]


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